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stemming from the fact that I have a load of acrylic ink in a screen, and a desire to paint and compose more loosely, relfecting a less ordered sense of subject while creating a direction of movement that is not cyclical, except, perhaps, in the familiarity of the mark and pattern of gesture
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sometimes random, forceful and surrendering to chance, while occasionally lucid and decisive, marks are made quickly so that I may jump on the passing whim and float in unison long enough to capture the fleeting moment before it breaks apart again
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similar intents from different directions
similar forms with different intents
bask in each other's presence, crash, combine, coexist, repel, and resist each other in the inherent tension of motion
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